scale diagrams

Reading Scale and Chords Diagrams

by Sensei| Follow @sixstringsensei on Twitter Here

Throughout this site you will encounter various diagrams that will show you a visual representation of what you will learn to play. These diagrams are slightly customized for my lessons, but they are very similar to what most books and teachers use as a standard. Most authors don’t go through all the trouble of identifying fifth notes and other details that I include in my diagrams. So consider these pretty complete. Also, once you understand them you’ll pretty much be able to read every half-decent diagram that you may find in any random book. Nice, Eh?

Take a look at the examples below:Reading Scale and Chord Diagrams

First of all, make sure you understand the top of the diagram is the end that points towards the headstock of the guitar. The bottom, well, points to the body. Straight-forward. So, each of the vertical lines represents a string and each of the horizontal lines represents a fret. The thick horizontal line at the top of the chord diagram represents the nut.

The Scale diagram starts of at the “Root Note” which is the first note of the bottom “E” string. Please note that the bottom “E” string is the last one from the floor up. So don’t think of the top and bottom as the position they look visually but by their tone. The thickest string, the one closest to your chest when you hold the guitar, the one that’s the highest off the floor, THAT is your bottom “E” string. So the one closest to the floor, the thinnest one, is the high “e” string. Having said that, never forget, when you go “up” the neck you actually go towards the body of the guitar. When you go “down” the neck you actually move towards the headstock. Don’t forget this.

The notes of the scale go in tone order from low to high. In the example above, after the third note of the scale you go to the following (fourth note) of the scale which is on the “A” string. The following note will be the “Fifth” note of the scale (That’s the one identified in red). You should pay special attention to the root and fifth notes in any scale. Not only are they very popular “intervals” (more on those later) but identifying their position will help find your way all over the fretboard. Plus, Fifth’s are the basis of powerchords, and they fill a very important role when transposing (switching) keys.

The chord diagram not only has the indication of the nut, but it also has those funky-looking X’s and O’s atop. Well, simple. When you play the chord in the diagram, do not strum the any strings marked with the X. The O’s mark strings that sound “open” (not fretted anywhere) and the strings that have no marks are those that are fretted.

The diagrams may look like rocket science but they are actually pretty simple to understand. Take a look at the diagram below:

Major Key Fingerboard Diagram

The main difference with this one is that it’s horizontal instead of vertical like the previous ones. This kind of diagram is used mainly to illustrate complete keys throughout the fretboard. Notice that each side of the diagram remains open. This suggests that the key can be moved up or down the neck to suit any key. Since this diagram is a representation of the shapes of the the whole key and how all the modes (more on those later) are tied together it is not specifying any given key. That is why I don’t specify on which fret it begins. By the way, notice how many Root Notes (white dots) and how many Fifth Notes (red dots) can be found throughout the fret board. Please, don’t try to understand all this now. I just want you to start getting your feet wet so you can have glimpse. It’s not time to jump in the ocean just yet!

Dorian Mode – The Second Position of the Major Scale

April 29, 2011

The Dorian Mode is based on the second note of the Major Scale. In the key of G the second note of the scale is A, therefore this would be played as the A Dorian Mode. To play this mode in the key of G, begin by playing the first note at the 6th string [...]

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Phrygian Mode – The Third Position of the Major Scale

April 28, 2011

The Phrygian Mode is based around the third note of the major scale. In the key of G, this 3rd note is B. So this will be played as the B Phrygian Mode. To play the B Phrygian Mode you will start with the first note at the 6th string 7th fret. The Phrygian Mode [...]

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Lydian Mode – The Fourth Position of the Major Scale

April 27, 2011

The Lydian Mode is based on the fourth note of the major scale. In the key of G, this 4th note would be C. This is one of the modes that I mentioned shares the same pattern as a different mode. If you look closely, you’ll notice that the pattern is the same as that [...]

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Mixolydian Mode – The Fifth Position of the Major Scale

April 26, 2011

The Mixolydian Mode is based on the fifth note of the major scale. In the key of G, the 5th note is D. D is a perfect 5th of G, so it sounds very good. This is a very popular mode for many rock players. To play the D Mixolydian Mode, start with the first [...]

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Aeolian Mode – The Sixth Position of the Major Scale

April 25, 2011

The Aeolian mode is based on the sixth note of the major scale. In the key of G, this note is E. Note that the 6th note of the major scale is the relative minor. So guess what? The Aeolian Mode is the Natural Minor Scale! The E Aeolian Mode could be played in the [...]

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Locrian Mode – The Seventh Position of the Major Scale

April 24, 2011

The Locrian Mode is based around the 7th note of the major scale. In the G of key, this 7th note is F#. This is the other mode that shares the same pattern as another mode. Look closely. This is the same pattern as the Ionian mode but has that extra note at the beginning [...]

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The Major Key

April 23, 2011

The Major Key – All positions of the major scale put together. This is it! Now that you know every position of the major scale it’s time to put them all together as one big entity. Look closely at the diagram below. See how all the positions and mode patterns interject. Notice that the notes on [...]

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Pentatonic Major Scale Intro

April 22, 2011

Pentatonic Major Scale – A very popular scale Quick Pentatonic Intro… There is a reason why I chose to write this lesson after I had written the Major Scale lesson in this site. There is also a reason I’m placing it under the Major Scale lesson in terms of order in the lesson list. I, [...]

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Pentatonic Major First Mode

April 21, 2011

The First Position of the Pentatonic Major Scale In keeping in line with the other lessons, we will be doing the major pentatonic scale in the key of G. This means that our minor pentatonic will be done in it’s relative minor, the key of E minor. Don’t forget you can transpose the scale to [...]

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