{"id":1350,"date":"2023-02-28T09:37:15","date_gmt":"2023-02-28T17:37:15","guid":{"rendered":"https:\/\/sixstringsensei.com\/?p=1350"},"modified":"2023-02-28T09:41:19","modified_gmt":"2023-02-28T17:41:19","slug":"boss-oc-5-octave-review","status":"publish","type":"post","link":"https:\/\/sixstringsensei.com\/1350\/boss-oc-5-octave-review\/","title":{"rendered":"BOSS OC-5 Octave Review and Buffered Output Opinion"},"content":{"rendered":"

I\u2019d like to offer my own BOSS OC-5 Octave review. Specifically, I\u2019d like to talk about how good it is, how well priced it is, but also its buffered output.<\/h3>\n

This is my personal hands-on BOSS OC-5 Octave<\/a> review. I\u2019ve tried a number of other octave and pitch-shifter pedals including the popular Electro-Harmonix POG2. I\u2019ve also compared the BOSS OC-5 Octave to polyphonic and monophonic algorithms in the Line6 HX Stomp XL, Eventide H9 (monophonic only) and Eventide H90 (polyphonic).<\/p>\n

The Eventide H90 is a real new competitor, as are the latest firmware versions of the HX Stomp and Helix (as of this writing). The classic H9 however, is still only OK for single-note riffing when it comes to octave algorithmns.<\/p>\n

\"BOSS<\/p>\n

The thing I love the most about the BOSS OC-5 is how easy it is to dial-in. For both bass and guitar, it\u2019s really easy to get good, responsive, octave mixes in both low and high octaves. This includes blending combinations of them. In contrast, the EHX POG2 does as well, or better of a job at it\u2026 but it\u2019s a lot more time consuming to dial the POG2 just right. Not to mention, the larger footprint. That said, they are different in many ways. The OC-5 can do less things than the POG2, but what it does, it does it REALLY well.<\/p>\n

BOSS OC-5 Octave Bang For Your Buck<\/h3>\n

The other great thing about the BOSS OC-5 is that, in the same vein as the BOSS OC-2 and OC-3 that came before it, it\u2019s super well priced. Like most BOSS pedals, they offer a lot, at prices much lower than boutique counterparts. EHX isn\u2019t exactly boutique, but even their Micro POG is still priced considerably higher than the BOSS OC-5.<\/p>\n

I don\u2019t use the \u201clowest\u201d note feature on the OC-5 all that much. When I use it I tend to blend in other other octaves as well as the direct level. I do this in case the pedal misses the lowest note. This helps it sound more natural. My normal use is either to add a low octave for heavier riffs, or to blend some sort of combination of low and high octaves. I think the lowest note feature is still valuable, but it\u2019s just something that was never my main draw to it.<\/p>\n

Looping With the OC-5<\/h3>\n

I do use a looper often. In my case, I\u2019ve been playing a BOSS RC-600. Given I usually feed that with a guitar and a bass, and send three outputs out to a pair of stereo guitar amps and a bass amp, I don\u2019t tend to use the OC-5 as a way to make my guitar sound like a bass. I just put the guitar down, lay down an actual bass loop, and then pick the guitar up again. Regardless, I can see how in a band situation where it\u2019s not easy to switch instruments, making your guitar sound like a bass can be very useful.<\/p>\n

Now, I wish there was a way that would allow foot-switch control of the vintage and poly modes. The reason for this is that it\u2019s VERY obvious how much better the vintage mode is at capturing single note playing. But, if you are playing chords, you need the poly option. I find I have to bend down often to switch these modes out. I also have to remember not to try and jam a bunch of chords in front of it when in vintage mode. It doesn\u2019t like that.<\/p>\n

BOSS OC-5 Octave Buffered Out<\/h3>\n

For reference, I have an article here about True-Bypass vs Buffered Bypass Pedals<\/a>.<\/strong><\/p>\n

Finally, let me talk about the buffer. I know there is a lot of debate as to whether or not it\u2019s good that most BOSS pedals have buffered bypass instead of true-bypass. In this case, I really don\u2019t like that the OC-5 is buffered. And here\u2019s why:<\/p>\n

Normally, an octave pedal goes right at the beginning of the signal chain. In most cases, a buffer at the very beginning of your chain is a good thing. However, if you have a germanium fuzz, you shouldn\u2019t place it after a buffer. You could get away with placing it before the OC-5, but that means that it won\u2019t be optimum when using it in conjunction with the OC-5.<\/p>\n

The reason is, generally, the order should be octave into fuzz. If the BOSS OC-5 were true-bypass, then it could easily be placed before any fuzz to allow you to use the fuzz by itself or in conjunction with the octave pedal. If you want the OC-5 into fuzz option while also being able to use the fuzz by itself, you\u2019re going to have to opt for fuzzes that can handle a buffered input. The problem is that even fuzzes that sound good with a buffer in front don\u2019t tend to clean up very well to the guitar\u2019s volume knob because the fuzz circuit is seeing the buffer instead of the change in the guitar\u2019s volume knob.<\/p>\n

The other thing I don\u2019t like about the BOSS OC-5 Octave is the color. Haha, I know, it\u2019s a superficial thing. But still, drab brown is an ugly color specially if you\u2019re into color-coordinated pedalboards.<\/p>\n

Is It Worth It?<\/h3>\n

To conclude my BOSS OC-5 Octave review, I have to say, the OC-5 carries the legacy of the OC-2 and OC-3 Octave pedals incredible well. It is truly an upgrade. It\u2019s also very well priced allowing you to easily have more than one if you\u2019d like, in case you have more than one board. While BOSS is usually pretty committed to buffers in these small stompboxes, the BOSS TU-3W Waza Craft tuner proves that they can allow the option of true-bypass in these traditional stompboxes. Given I feel it\u2019s necessary to have true-bypass in an octave pedal to allow having it sit before a fuzz pedal, I hope BOSS sees the value in the OC-5 and releases a BOSS OC-5W Waza Craft Octave with a true-bypass option. I would definitely buy that.<\/p>\n","protected":false},"excerpt":{"rendered":"

I’d like to offer my own hands-on BOSS OC-5 Octave review, and how I feel that the buffered output on this pedal is a real drawback. I compare it to the EHX POG 2 and other octave \/ pitch-shifting options like the Eventide H90, H9 and Line6 HX Stomp.<\/p>\n","protected":false},"author":1,"featured_media":1354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[36],"tags":[64,57,46],"yoast_head":"\nBOSS OC-5 Octave Review and Buffered Output Opinion<\/title>\n<meta name=\"description\" content=\"I'd like to offer my own hands-on BOSS OC-5 Octave review, and how I feel about the buffered output on this pedal.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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