- \n
- Keeley Moon<\/a><\/li>\n
- Earthquaker Devices Hizumitas<\/a><\/li>\n
- Way Huge Swollen Pickle<\/a><\/li>\n<\/ul>\n
These high-gain fuzz pedals, as with most Big Muff pedal variants, do not need to have the guitar plugged directly into them to perform correctly. You can put a buffer in front of them often referred to as, \u201cBuff Your Muff.\u201d More creatively however, you can shape the tone of the fuzz pedal with a different distortion or overdrive pedal before it. You can achieve similar results with an EQ pedal. Generally, I feel that the main reason for this tone stacking is mostly due to EQ and how loud the pedal in front of it is\u2026 or how much boost. I find that this tone-stacking is a good way to tame low rumbly notes.<\/p>\n
![\"The](\"https:\/\/sixstringsensei.com\/wp-content\/uploads\/2023\/10\/the_most_brutal_big_muff_pedal_variants.jpg\")
<\/p>\nI\u2019ll compare these three fuzz pedals below.<\/h3>\n
Let\u2019s start with the Keeley Moon. This one is based on the tones of David Gilmour hence the name\u2026 As in, \u201cDark Side of the Moon.\u201d I often find it to be very similar to the Hizumitas. It\u2019s just voiced a little differently. However, the common trait of both of them being stupid loud is true to either of them. Unity volume is around 9 or 10 o\u2019clock. I usually don\u2019t go above that because that\u2019s already pretty darn loud.<\/p>\n
Let’s Look at the Keeley Moon and EQD Hizumitas first<\/h3>\n
The Keeley Moon and Hizumitas offer incredibly high gain fuzz with gobs of sustain. They are both very addictive to play. They sound awesome with single coils, P90s and humbuckers. The EQD Hizumitas is the signature pedal of Wata from the band Boris. Her typical approach is to hit the Hizumitas with a BOSS DS-1. I\u2019ve played the Keeley Moon and Earthquaker Devices Hizumitas with various pedals in front of them including, JHS PackRat, Empress Para EQ MKII, EQD Special Cranker, EQD Plumes and a BOSS SD-1 Waza Craft. All of those can push these Muff variants to extreme high-gain distortion that can only be described as brutal and savage. It\u2019s super heavy stuff that does not follow the typical dry cut palm-muted sound of typical metal. It\u2019s looser and dirtier. This sound is not just for metal. It works really well for punk when you\u2019re not looking for a palm-muted chuggy sound.<\/p>\n
To me, the pros of the Keeley Moon are the smaller enclosure and the EQ switch. The EQ switch enhances the pedal\u2019s versatility for different mixes. The Hizumitas would need some sort of EQ or mid-hump pedal in the mix to help expand it\u2019s versatility. This is because while it does have a sweeping tone knob, it can emphasis mids the way the EQ switch in the Keeley Moon can. That said, the Hizumitas gets points for the top mounted jacks and soft-switching flexi switch. Furthermore, for switching systems the Keeley Moon would be better as it can be left on all the time, even after initial power-up. It just depends on what you need. Both are fantastic.<\/p>\n
What about the Way Huge Swollen Pickle?<\/h3>\n
I left the Way Huge Swollen Pickle for last. The reason is I find it to be the most brutal of the three. I find that saturation-wise, it\u2019s the most aggressive of the lot. The tone knob on these 3 Muff variants is a lot like it is on a ProCo RAT – It\u2019s more like a frequency sweep rather than just a tone control. This is even more pronounced on the Way Huge Swollen Pickle Muff variant. Additionally, the crunch and scoop controls can either tame the fuzz into more of a distortion territory, or take it in the other direction and make it all extra brutal and scooped.<\/p>\n
The Way Huge Swollen Pickle currently comes in two versions. One is the larger Way Huge Swollen Pickle Jumbo MKIIS which uses tapered pots for the scoop and crunch controls and also has a battery compartment. This one\u2019s the most versatile, but it also takes more space.<\/p>\n
The other one is the Way Huge Smalls Swollen Pickle Fuzz MKIII. This one is more pedalboard friendly as it\u2019s much smaller. However, it doesn\u2019t have a battery compartment and the scoop and crunch controls are not variable tapered pots but rather toggle switches that go from one end to the other. That\u2019s the one I have, but I wouldn\u2019t mind picking up the other one at some point.<\/p>\n
Which Big Muff Variant is the best?<\/h3>\n
Like I said above, the Way Huge Swollen Pickle is the most brutal of the three in this group. By that account, and the more detailed controls, it\u2019s on paper the best one. Having said all that, the Keeley Moon is my favorite. I find it has all the brutal fuzz I could possibly want or need and I love the little EQ toggle to go from flat, to mid-hump to scooped. It offers less control than the Swollen Pickle, but much quicker to dial in. I\u2019m also a sucker for elegant black guitar pedals, so that\u2019s the one for me. I still absolutely love the Hizumitas though. The pedalboard the Hizumitas is on only has soft-switching pedals, along with a few other EQD pedals\u2026 so I wouldn\u2019t consider putting the Keeley Moon there anyway. It would be too much of an oddball on there. At the end of the day, I play them all and I play them often. Try one for yourself. They are loud, absolutely brutal and loads of fun.<\/p>\n","protected":false},"excerpt":{"rendered":"
Here are the 3 most brutal Muff variant fuzz pedals I have ever played. They are incredibly loud, super saturated and absolutely savage. Found out why each of these amazing Big Muff variants made the cut and learn how they differ from each other.<\/p>\n","protected":false},"author":1,"featured_media":1656,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[36],"tags":[81,82,46],"yoast_head":"\n
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